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SINCE 1949!
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CAST & STAFF
CARLOS CANDELARIO (Brabantio, Lodovico; Jack) received his BA in Theater Arts from Wilkes University in May 2006. He plays the violin and has background training in modern dance, tap , and jazz dance. His College roles include Creon in Antigone, Sidney Black in Light up the Sky, Woyzeck in Woyzeck, Napthali in Joseph and the Amazing Technicolor Dreamcoat, Alphonso in A Marriage can be Murder, Roustabout in Carnival, Damis in Tartuffe, Stephen Field in Hotel Universe, Fiddler in Fiddler on the Roof, Prince Florizel in The Winter’s Tale, and The Juggler in Madwoman of Chaillot.
Wilkes University, having earned a BA in Theatre Arts. Some of her favorite roles include Lily in Hotel Universe, Ismene in Antigone, and Desiree in A Little Night Music. So far, her favorite place to work has been Lost Nation Theatre in Montpelier, VT, but she looks forward to adding to that list after touring the country with National Players. Rachel sends her love and gratitude to her family and friends for sticking around and never giving up, and a special thanks to Bill Gillett and National Players for this tremendous opportunity.
National Players 58th Annual Tour. Originally from Rochester, NY, he recently received his BFA in Theatre Studies from Niagara University. Favorite roles include Macbeth (Macbeth), The Laramie Project (Andy Paris), California Suite (Billy), A View from the Bridge (Alfieri), Flora the Red Menace (Harry) and Lovers (Andy). He spent a semester abroad studying Shakespeare and Contemporary Irish Drama at Schiller International University in London, England. Special thanks to Bill Gillett for this wonderful opportunity and especially to Mom, Dad and Julie for their constant love and support over the years.
Central Arkansas. Regional credits include Will-to-Laugh, Comedy of Errors, and Disney's Beauty and the Beast at Arkansas Rep Theatre; Aladdin, Wiley and the Hairy Man, and The Miss Firecracker Contest at Renaissance Rep Theatre, as well as Captain MacDonald in the 2005 production of Tecumseh! at the Sugarloaf Mt. Amphitheatre. Favorite roles include the Magician in Steve Martin's Patter for the Floating Lady, Limping Man in Fuddy Meers, and the loveable Milky White from Into the Woods. Gibby would like to thank his family and friends for their love and support.
The Catholic University of America, where she has had the pleasure of working with Jeremy Skidmore, Gary Sloan, Grover Gardner, and Naum Panovski. Favorite roles include Willie in This Property is Condemned, Janissery in The Curator, Jaquenetta in Love's Labour's Lost, Sob Sister in Radium Girls, and Fortuna in Uncle Maroje, which also toured to the Dubrovnik International Theatre Festival in Croatia. She is overjoyed to be a part of National Players and would like to thank Bill for the wonderful opportunity and Mom, Dad, and Grayson for their love and support.
Bay Area, is thrilled to be joining the National Players this season. Hannah most recently played Beatrice in the National Players summer tour of Much Ado About Nothing. Her regional Credits include Twelfth Night (Actor's Shakespeare Project); and Robin Hood, Romeo and Juliet, and Henry V (Marin Shakespeare Company). Her educational credits include Romeo and Juliet, King John, and The School for Scandal at the London Academy of Music and Dramatic Arts; Dancing at Lughnasa, Trojan Women, The Lower Depths, A Dream Play, and One Flea Spare at Boston University (BU) where she received her BFA in Acting.
ANTHONY JACKSON (Othello) Anthony Jackson is a recent graduate of Columbus State University in Columbus GA with a B.F.A. in theatre performance. He is very thankful for the opportunity to be a part of the National Players. Previous roles include Worcester in Henry IV with the Virginia Shakespeare Festival, Matt in The Bible, the Complete Word of God Abridged at the Springer Opera House (GA), Chas in The Trestle at Pope Lick Creek, Leading Player in Pippin, and Malvolio in Twelfth Night at Columbus State University. He sends many thanks to his friends and family for all their love and support.
tradition of the National Players. He recently finished his time with the Civic Theatre of Allentown where he was employed as a resident actor. He performed in roles such as Homer Wells in The Cider House Rules, Parts I and II, Michael in Tick, Tick . . . Boom, and Jacob Marley in A Christmas Carol. Before his time with Civic, Will was a student at Furman University in Greenville, SC where he received a B.A. in theatre arts. Will would like to thank his family for their unwavering support, Olney for giving him a chance, and his new fans from Palmerton, PA.
Players after playing Gremio in The Taming of the Shrew and Professor Abraham Van Helsing in Dracula for the 57th annual tour. Favorite past roles include: Elwood P. Dowd in Harvey, Tartuffe in Tartuffe, and Betty/Edward in Cloud 9. He holds a degree in theatre arts from the College of Fine Arts at Boston University. He thanks Bill for the opportunity and friendship, Clay for the doses of reality and commitment to honesty, BU for setting him on the right path, Tour 57 for Tour 57, and his family for their perpetual love and support. He dedicates this year to his family on the road: the company members of Tour 58. Make it work!
Players and to be playing two such wonderful roles. Aubrie recently received her BFA. in theatre performance at Longwood University in Virginia. Some of her favorite roles include Echo in Eleemosynary, Viola in Twelfth Night, Sabina in The Skin of Our Teeth, Marianne in Tartuffe, Sarah in Stop Kiss, and Audrey in As You Like It. Aubrie would like to thank her family and friends for all of their love and support and her Nana for always saying her novenas. Thanks also to Bill Gillett for this great opportunity!
ARTISTIC STAFF
with Players when he composed the original music score for the 32nd Tour's production of The Tempest. He has also directed Cyrano de Bergerac, Dracula, Animal Farm, Amadeus, As You Like It and The Elephant Man, and has co-directed productions of Much Ado About Nothing, A Midsummer Night’s Dream, Twelfth Night, Othello, The Taming of the Shrew and Nicholas Nickleby. For Catholic University's Hartke Theatre he staged the first post Broadway production of Stephen Sondheim's Merrily We Roll Along, Cyrano de Bergerac and Pacific Overtures. Mr. Petosa also serves as artistic director for the Olney Theatre Center for the Arts, where his most recent directorial credits there include Thérèse Raquin, Death of a Salesman, Equus, A Question of Mercy, Amadeus, Racing Demon, Cinderella, To Kill a Mockingbird, Romeo and Juliet, Becket, Broken Glass, The Fifth Season, Night of the Iguana, The Trip to Bountiful, Sight Unseen, Shadowlands and Voice of the Prairie. Prior to his association with Players, he was artistic director for the St. James Cathedral Arts Pavilion in Brooklyn where he directed J.B. and Voices. He also served as performing arts coordinator for the Cathedral of St. John the Divine in Manhattan. As a composer, he has written vocal and incidental scores for Robert Montgomery's Subject to Fits and Snoo Wilson's Vampire, The Soul of the White Ant and Everest Hotel at the New York Theatre Studio where his own musical version of Peer Gynt was performed in concert. Other New York directing credits include The Maids and Still on the Shore at the Lincoln Center and A Good Time and The Brute for off-Broadway's Theatre Matrix. The past five years he has been producer and director of the Potomac Theatre Project in Washington, D.C. where he directed Closetland, Trial of the Catonsville Nine, C.P. Taylor's Good and Robert Chesley's The Dog Plays. Additional accomplishments include The Boys Next Door, Italian American Reconciliation and The Diary of Anne Frank at the Roundhouse Theatre, Brecht on Brecht, Pins and Needles and Another Antigone at the Washington Jewish Theatre and Principia Scriptoriae at the Studio Theatre. He has served as theater director of “Voices From The Streets,” a program which provides a stage for the homeless people in the D.C. area, affiliated with the Community for Creative Non-Violence. He serves on the advisory boards of the Actors' Center and the Playwright's Unit of Washington, D.C. He is a member of the Dramatists Guild, Actors' Equity Association and the Society of Stage Directors and Choreographers.
for Summer Shakespeare at OTC. Other recent credits include The Taming of the Shrew for Tour 57 and On the Verge or The Geography of Yearning at Contemporary American Theater Festival’s Actor's Lab. Clay received his MFA from Boston University's College of Fine Arts where he most recently directed Cloud 9 by Caryl Churchill, La Bete by David Hirson, and Marat/Sade by Peter Weiss, Cat on a Hot Tin Roof by Tennessee Williams and Edmond by David Mamet. Before moving to Boston he lived in New York where he founded and produced a new play series called New Works/After Hours at Lincoln Center Institute's Clarke Studio Theatre. Off-off-Broadway credits include A Home Without by Robert Westfield, Different Zen by Clay Hopper-Third Eye Rep, Earthworms by Albert Innaurato (reading starring Roger Rees) The Working Group, Triage by Chris Shiea-Miranda Theatre, and The Interrogation by Murphy Guyer-The Miranda Theatre. .
several productions for National Players tours including: The Normal Heart, A Few Good Men, Of Mice and Men, Les Liaisons Dangereuses, Tartuffe and Dracula. Mr. Wade is a professor of theater in the George Washington University Department of Theatre and Dance and is a former chair of the department. As a professional actor he regularly appears at Washington area theaters and has been a Helen Hayes Award nominee. Among his film and television credits are The Pelican Brief and Homicide: Life on the Streets. Mr. Wade serves on the artistic board of Olney Theatre Center for the Arts, on the advisory boards of the Washington Stage Guild and the Potomac Theatre Project, and is an associate editor of Text and Performance Quarterly.
BILL GRAHAM, SR. (Acting Coach, Benefactor) William H. Graham has been associated with National Players for over fifty years as artist and administrator. After serving in the Navy from 1944 to 1946, Mr. Graham received his BA in Pre-Law from LaSalle University, and received an MA in Drama from The Catholic University of America. He has directed over 50 theatrical productions, and had leading roles in over 40 productions. Mr. Graham has served as Managing Director of St. Michaels Playhouse, Executive Director of Olney Theatre, and Chairman of The Catholic University of America’s Drama Department. He was a founder and director of the MFA acting program at Catholic University. He is currently the chairman of the Board for Olney Theatre Center for the Arts. A member of Actor’s Equity Association (AEA), Screen Actor’s Guild (SAG), and American Federation of Television and Radio Artists (AFTRA), Mr. Graham has narrated for National Geographic, Voice of America, and PBS. Thanks to Mr. Graham’s dedication to National Players, the touring company continues to thrive.
HALO WINES (Acting Coach) serves as Associate Artistic Director for Olney Theatre Center and National Players, as well as co-director with Alan Wade of OTC's acting workshops. Ms. Wines most recent acting credits include Daisy Werthan in Driving Miss Daisy, Ruth Steiner in Collected Stories (a reprise of her 2001 performance at Theatre J, in Washington, DC), Countess Aurelia in The Madwoman of Chaillot, and Miss Sook in Holiday Memories. Her directorial credits include OTC's productions of The Miser, The Rivals, Tartuffe, Summer Shakespeare's Twelfth Night, and the National Players Tour 54 As You Like It. She has been honored with five Helen Hayes Award nominations and received the award for Outstanding Lead Actor in a Resident Play for her performance in Cloud Nine at Arena Stage, where she spent 25 years as a resident company member.
Theatre Institute) has been serving as General Manager of National Players since August 2002. Bill was a co-director of National Players Summer Shakespeare 2002 and Tour 50. Bill received a Bachelor of Arts Degree in Dramatic Arts from St. Mary’s College of Maryland, and a Master of Arts degree in Theatre: history, theory, and criticism from the University of Maryland. Bill is an Alumnus of National Players Tours 49 and 50 where he played the roles of Whit in Of Mice and Men, Baptista in Taming of the Shrew, Raganeau in Cyrano De Bergerac, and Sir Toby Belch in Twelfth Night. Bill also has been an actor for 7 National Players summer tours.
Players for the past 2 decades - first, as a performer on Tours 32 and 37 and then as Managing Director from 1987 - 1997. She received her MFA from the Catholic University of America and is now an Adjunct Professor in the Department of Performing Arts at American University in Washington, DC. In addition to scheduling National Players and performing, she is the Casting Director and Make Up Artist for ScriptSmith (a local video production company) and is a Narrator for books-on-tape at the Library of Congress. Barbara is an active member of Actors' Equity Association (AEA), the Screen Actors' Guild (SAG) and the American Federation of Television and Radio Artists (Aftra).
years in the Civic Theatre Resident Company of Allentown, PA. While at Civic she performed as young Eva in And Then They Came for Me, Future in A Christmas Carol 2005, Deb Jabber in Cinderella Confidential and as both Fuzzy Stone and Lorna in The Cider House Rules. Casey has also performed with community and dinner theatres in Florida, Maryland and Texas in roles ranging from a mob boss' daughter to a mythological rock. She holds a Bachelor of Science in Aviation and Aerospace Communications from Embry-Riddle Aeronautical University, where she presided over the Riddle Players Theatre Company. She likes horses.
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©2006 Olney Theatre Center
(T/A National Players)
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